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Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.,

Julia attended to the narrative of her mother in silent astonishment, and gave all the sympathy which sorrow could demand. 'Surely,' cried she, 'the providence on whom you have so firmly relied, and whose inflictions you have supported with a fortitude so noble, has conducted me through a labyrinth of misfortunes to this spot, for the purpose of delivering you! Oh! let us hasten to fly this horrid abode—let us seek to escape through the cavern by which I entered.',

Feather-in-the-Wind knew it to be the only plan and started off with long running leaps, keeping himself well hidden from the Mexican. There was just a chance that he could get to the camp and back before Miguel could complete his dastardly work.,

'He usually attended me when night might best conceal his visits; though these were irregular in their return. Lately, from what motive I cannot guess, he has ceased his nocturnal visits, and comes only in the day.

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The night came down cold. The boys were glad to bundle up into their sleeping bags and get what rest they could. The novelty and excitement could keep Bob awake for only a little while, for the danger into which he was headed did not worry him for a moment, and he was very tired. He wanted adventure and he was going to have it. Only one thing deterred him at all, and that was the thought of his father. But before he had left the hotel at the Grand Canyon he had written a letter explaining to the older Hazard what he was planning to do. He had, of course, minimized the danger. But, even so, when Mr. Hazard got the letter he was very much upset and had an impulse to get on the next train and bring his boy back to civilization, if he still had a boy to bring back.,

In this situation he remained for a considerable time, ruminating on the means of escape, yet scarcely believing escape was possible. If he continued in the vault, he might continue there only to be butchered; but by attempting to rescue himself from the place he was now in, he must rush into the hands of the banditti. Judging it, therefore, the safer way of the two to remain where he was, he endeavoured to await his fate with fortitude, when suddenly the loud voices of the murderers burst upon his ear, and he heard steps advancing quickly towards the spot where he lay.,

Near a fortnight had elapsed without producing any appearance of hostility from the marquis, when one night, long after the hour of repose, Julia was awakened by the bell of the monastery. She knew it was not the hour customary for prayer, and she listened to the sounds, which rolled through the deep silence of the fabric, with strong surprise and terror. Presently she heard the doors of several cells creak on their hinges, and the sound of quick footsteps in the passages—and through the crevices of her door she distinguished passing lights. The whispering noise of steps increased, and every person of the monastery seemed to have awakened. Her terror heightened; it occurred to her that the marquis had surrounded the abbey with his people, in the design of forcing her from her retreat; and she arose in haste, with an intention of going to the chamber of Madame de Menon, when she heard a gentle tap at the door. Her enquiry of who was there, was answered in the voice of madame, and her fears were quickly dissipated, for she learned the bell was a summons to attend a dying nun, who was going to the high altar, there to receive extreme unction.,

The late Marquis de Mazzini, and Maria de Vellorno, were interred with the honor due to their rank in the church of the convent of St Nicolo. Their lives exhibited a boundless indulgence of violent and luxurious passions, and their deaths marked the consequences of such indulgence, and held forth to mankind a singular instance of divine vengeance.